Cadernos do Arquivo Municipal https://cadernosarquivo.cm-lisboa.pt/index.php/am <p>Submission of articles and book reviews to Cadernos do Arquivo Municipal are temporarily made through the journal's e-mail: <a href="mailto:%20am.cadernos@cm-lisboa.pt">am.cadernos@cm-lisboa.pt</a></p> en-US <p>The authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the <a href="https://creativecommons.org/licenses/by-nc/4.0/deed.pt" target="_blank" rel="noopener">Creative Commons Attribution License CC BY-NC 4.0</a> which allows sharing and adapting the text as long as its authorship is correctly attribbuted with recognition of the initial publication in this journal.</p> am.cadernos@cm-lisboa.pt (Cadernos do Arquivo Municipal) admin.datacenter.ld@cm-lisboa.pt (DSI - Departamento de Sistemas de Informação) Fri, 27 Sep 2024 17:05:40 +0100 OJS 3.3.0.8 http://blogs.law.harvard.edu/tech/rss 60 The reconstruction of the church of São Domingos de Lisboa: Architects, painters, sculptors, and woodcarvers (1755-1791) https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/354 <p>The following study aims to present a significant number of manuscripts, with which the author is dealing with since 2017, related&nbsp; with the reconstruction of the Convent of São Domingos de Lisboa after the Earthquake of 1755. Based on the gathered data, this&nbsp; article is divided in two chapters. The first one focuses the years from 1755 to 1786, regarding the first moments of the rebuilding&nbsp; process, and discussing the authorship of the architectonical project. The second chapter deals with the period from 1786 to 1791,&nbsp; explaining the evolution of the construction site with Manuel Caetano de Sousa as architect.</p> João Francisco Grave (Author) Copyright (c) 2024 João Francisco Grave https://creativecommons.org/licenses/by-nc/4.0 https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/354 Fri, 27 Sep 2024 00:00:00 +0100 Lock, stock and two smoking crimes. Two criminal figures captured by French criminal law in the 19th century: The insurance swindler and the fraudulent bankrupt https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/355 <p>In the 19th century, to protect private property, the legislator sometimes had to be wary of dishonest owners. Faced with the&nbsp; resurgence of certain financial crimes, swindles and other frauds, legislative policy oscillated between rigorous repression, intended&nbsp; as a deterrent but deemed excessive, and more flexible sentencing, to make criminal law more effective. The legislator’s main concern was to define the contours of the criminal figures that were developing as a result of the century’s economic and social&nbsp; changes. Among these, two stand out: the insurance swindler, an owner who sets fire to his own property in order to defraud his&nbsp; insurer, and the fraudulent banker, who makes undue profit from mismanagement. In trying to catch them, French law tries, with&nbsp; varying degrees of success, to meet society’s need to identify and punish criminal scams fairly.</p> Louis Terracol, Eva Becquet (Author) Copyright (c) 2024 Louis Terracol; Eva Becquet https://creativecommons.org/licenses/by-nc/4.0 https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/355 Thu, 03 Oct 2024 00:00:00 +0100 Noir in the 1980s and 1990s: Decolonizing ideologies https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/359 <p>This article discusses the growth of <em>noir</em> in France and the United States of America (USA) in the 1980s and 1990s. Under its various forms such as the <em>polar</em>, the sub-genre embraces a leftist agenda, aiming at exploring the rise of domestic issues such as race, gender discrimination, and poverty to expose the dark side of neoliberalism and its ideologies of equality, prosperity, and justice. A decolonial reading of Didier Daeninckx’s <em>Meurtres pour mémoire</em> (1983), Daniel Pennac’s <em>La petite marchande de prose</em> (1989), and Walter Mosley’s <em>Black Betty</em> (1994) demonstrates how the process of narration and a conscious focus on “decent people” threaten ideologies of nation building, consumerism, and gender/racial equality. Through the works of Walter Mignolo and Achille Mbembé, we aim to show how neoliberal capitalism follows the same pattern of appropriation of resources and bodies that has been in place since the Industrial Revolution. A pattern deconstructed by <em>noir</em> writers with the aim of promoting more humanity.</p> Jean-Hugues Bita’a Menye (Author) Copyright (c) 2024 Jean-Hugues Bita’a Menye https://creativecommons.org/licenses/by-nc/4.0 https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/359 Tue, 22 Oct 2024 00:00:00 +0100 An analysis of transnational networks of criminological studies based on the works of Dr. Francisco Ferraz de Macedo (1873-1907) https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/366 <p>This article deals with the formation and maintenance of networks of criminological knowledge in the Atlantic World through the&nbsp; figure of Francisco Ferraz de Macedo, a Portuguese doctor and anthropologist who grew up and studied in Brazil, but whose&nbsp; professional path led him to work in some of the main European centres for criminological studies. From his various works, we&nbsp;<br>will observe how his medical-anthropological discoveries relate to the international scientific debate at the end of the 19th century.&nbsp; In this way, we aim to analyse the importance of the historical study of the figure of Ferraz de Macedo in the process of&nbsp; understanding the mechanisms that promoted the transnational character of criminological sciences in this period.</p> Fernando Fontes Cepulli (Author) Copyright (c) 2024 Fernando Fontes Cepulli https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/366 Fri, 06 Dec 2024 00:00:00 +0000